Ashley Caranto Morford on de-firsting and the CHESS 2017 Summer School: "It’s not only that Devine’s map defaces and reclaims the colonial space of the gallery that makes Battle for the Woodlands such an empowering tool for and of de-firsting — it is also that this piece is literally painted overtop a nineteenth-century colonial map of Canada, … Continue reading BLOGROLL: Morford on Undoing the Colonial Myth of “Firsting” | NiCHE
At the UNC Press Blog, Historian LaKisha Michelle Simmons explores the historic and symbolic significance of the plantation settings in Beyonce's visual album, Lemonade, including references to the 1811 Louisiana slave revolt.
Special Issue of Social Text (33:4, 2015) on "The Question of Recovery: Slavery, Freedom, and the Archive," including a roundtable on slavery, mapping, and the digital humanities. Guest edited by Laura Helton, Justin Leroy, Max A. Mishler, Samantha Seeley, and Shauna Sweeney Articles Helton, Laura, Justin Leroy, Max A. Mishler, Samantha Seeley, and Shauna Sweeney. … Continue reading ARTICLE/JOURNAL/DIGITAL: Social Text Special Issue on Slavery, Freedom, and the Archive