W. Caleb McDaniel writes:
Moya Bailey, P. Gabrielle Foreman, Jessica Marie Johnson, Liz Losh, Marisa Parham, and more present at the OIEAHC/Equality Lab conference Race, Memory, and the Digital Humanities, October 26-28, 2017.
“We’ve got a map!!! Thank you Liz Losh and the team at the Equality Lab for this really amazing visualization of our DH work. Hope to see you all at Race, Memory and the Digital Humanities in a couple of weeks!”
In response to the recent election, #ADPhD is sharing reflections, short takes, and responses from scholars of slavery. To submit yours, click here.
On November 12, 2016, in light of the recent election, Jessica Marie Johnson published this essay on the African American Intellectual History Society blog:
Jessica Marie Johnson is on a recent episode of the podcast Historically Black: Continue reading
Ana Lucia Araujo of Howard University has announced the program of the slavery seminar at Howard University.
Via Ana Lucia Araujo on Facebook:
Jessica Marie Johnson writes: Continue reading
“One evening, on a road in Jamaica, a soldier belonging to the “Mulatto Company” made his evening rounds. He came upon a black man in the woods. The soldier called for his attention. Receiving no answer, he killed him…”
Jessica Marie Johnson’s October post for the African American Intellectual Society Blog is on black death and this rare sketch (available at the Library Company of Philadelphia) done by Pierre Eugène du Simitière sometime in 1760s Jamaica. Read the rest: Black Death: Gore, Geographies and the Gallows in Jamaica
Reblogged from Diaspora Hypertext, the Blog
If your summer travels take you to Louisiana, be sure to visit Whitney Plantation in Wallace, Louisiana (about forty miles from New Orleans). See below for #ADPhD Founder and Curator Jessica Marie Johnson’s reflection on her visit last February….
“Each statue represents a person. Most represent one of the thirty odd men and women who experienced slavery in Louisiana as a child and was interviewed by Works Progress Administration investigators in the 1930s as an elder. A handful represent a child who labored at the plantation site at some point in its history, a child with a story we now know.
Each child has a name. They have identities and histories. They are neither nameless nor voiceless, as so many subaltern historical subjects are, particularly in histories of slavery. They have already spoken. The statues and everything they represent also give lie to the presumption that the enslaved left no stories, no words worth mentioning or remembering. Or believing.
By choosing to engage the visitors through a historically African-American church filled with statues of enslaved children, Ibrahima Seck, the Director of Research, does more than memorialize the original interviewees and enslaved members of the Haydel/Whitney Plantation site. Seck and the Whitney staff force us to enter the plantation by walking past, watching, and being watched by enslaved themselves. The figures act as artifacts of and portals into the words and lives of residents of Louisiana who experienced slavery, who engaged Writers’ Project interviewers as experts in their own lives. Confronted with their familiars, we are challenged to take them seriously as the only experts that matter. As intellectuals in their own right and masters of their own words and worlds.
This is the visitor’s introduction to the Whitney Plantation and Slave Museum…”
Read the rest at AAIHS: Time, Space, and Memory at Whitney Plantation
VERY EXCITED to announce this….
My journal article, “Death Rites as Birthrights in Atlantic New Orleans: Kinship and Race in the Case of María Teresa v. Perine Dauphine,” is in the next issue of Slavery & Abolition…and it is LIVE online RIGHT NOW at Taylor & Francis.
Jessica Marie Johnson, “Death Rites as Birthrights in Atlantic New Orleans: Kinship and Race in the Case of María Teresa v. Perine Dauphine.” Slavery & Abolition (published online September 25, 2014): 1–24. doi:10.1080/0144039X.2014.943931.
“In 1789, a New Orleans free woman of colour named María Teresa initiated legal proceedings against Pelagia ‘Perine’ Dauphine dit Demasillier, another free woman of colour living in the city. More than a question of inheritance, the case of María Tereza, grifa libre v. Perine Demasillier, mulata libre was a dispute between two women over the meanings of and obligations to family in late eighteenth-century New Orleans. Their…
View original post 293 more words