Childs writes: "Later in 1976 the novel would be reconceptualized as a television show, or telenovela. It was wildly successful and became one of the most watched television programs in the world, broadcasted in over 80 countries. It was undoubtedly a smash success in South America but also in the Soviet Union, China, Poland, and Hungary. In fact, it was in Hungary where the most intriguing- or depending on your perspective, most comical- story about the telenovela comes to us. According to legend, it was in Hungary in the 1980s where the faithful viewers of Escrava Isaura took up collections after the final episode of the series to help purchase Isaura’s freedom...."
Special Issue of Social Text (33:4, 2015) on "The Question of Recovery: Slavery, Freedom, and the Archive," including a roundtable on slavery, mapping, and the digital humanities. Guest edited by Laura Helton, Justin Leroy, Max A. Mishler, Samantha Seeley, and Shauna Sweeney Articles Helton, Laura, Justin Leroy, Max A. Mishler, Samantha Seeley, and Shauna Sweeney. … Continue reading ARTICLE/JOURNAL/DIGITAL: Social Text Special Issue on Slavery, Freedom, and the Archive
Childs on Visible Fugitives and the "Out-Of-Placeness" of Runaway Slaves | @AAIHS
In "Between Latin America and the African Diaspora?" Greg Childs discusses researching Latin America's black history and the conflicts that can arise: Perhaps because I was indeed sitting right beside him the man did not see me. Or maybe he saw me but genuinely had no clue what kind of work I did or what … Continue reading Childs on Doing African Diaspora History as a Latin Americanist