Featuring Christina Sharpe, Hazel Carby, Kaiama Glover, Saidiya Hartman, Arthur Jafa, and Alex Weheliye.
Continue reading “VIDEO: In the Wake: A Salon in Honor of Christina Sharpe on Vimeo”
Christina Sharpe at Northwestern University on children in the Trans-Atlantic Slave Trade Database:
In response to the recent election, #ADPhD is sharing reflections, short takes, and responses from scholars of slavery. To submit yours, click here.
On November 16, 2016, Christina Sharpe, associate professor at Tufts University, offered this reflection on kinship, slavery, and white solidarity. Sharpe writes:
P. Khalil Saucier and Tryon P. Woods, eds. On Marroonage: Ethical Confrontations with Antiblackness. Trenton, NJ: Africa World Press, Inc., 2015.
via Africa World Press:
Christina Sharpe. In the Wake: On Blackness and Being. Durham, NC: Duke University Press, 2016.
Description from Duke University Press:
“Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.”