via University of Illinois Press:
Pier Gabrielle Foreman, Activist Sentiments: Reading Black Women in the Nineteenth Century. University of Illinois Press, 2009.
via University of Illinois Press:
via U Penn Press:
Anywhere But Here brings together new scholarship on the cross-cultural experiences of intellectuals of African descent since the eighteenth century. The book embraces historian Paul Gilroy’s prominent thesis in The Black Atlantic and posits arguments beyond The Black Atlantic’s traditional organization and symbolism.
H/T – The Repeating Islands – Andrea Estrada interviews Esther Lezra on her new book The Colonial Art of Demonizing Others (Routledge, 2014): “It was important to show that the representational patterns that we use today are inheritors of an early representational rhetoric that was intrinsically tied up with material violence and injustice endured by peoples who were subjected to empire and colonialism,” Lezra said. … Continue reading Interview: The Colonial Art of Demonizing Others | The UCSB Current
Duke University students are writing the “Black Atlantic” online courtesy of a course taught by Ian Baucom and Laurent DuBois. From the syllabus: “This seminar, open to advanced undergraduate students and graduate students in all disciplines, explores the history and literature of what has come to be known as “The Black Atlantic.” Our goal will be to think through the histories of slavery and … Continue reading TEACHING: Baucom and DuBois Course Site for “The Black Atlantic”
Vincent Carretta. Phillis Wheatley: Biography of a Genius in Bondage. Athens: University of Georgia Press, 2011. via University of Georgia Press: “With Poems on Various Subjects, Religious and Moral (1773), Phillis Wheatley (1753?–1784) became the first English-speaking person of African descent to publish a book and only the second woman—of any race or background— to do so in America. Written in Boston while she was … Continue reading BOOK: Carretta on Phillis Wheatley
Geoffrey Sanborn. “‘People Will Pay to Hear the Drama’: Plagiarism in Clotel.” African American Review 45, no. 1 (2012): 65–82. Excerpt: It is no secret that William Wells Brown did not write everything that appears under his name in Clotel; or, the President’s Daughter, the first published novel by an African American. Since 1969, when William Edward Farrison published an edition of Clotel with extensive … Continue reading ARTICLE: Sanborn on Plagiarism in Clotel
Barbara McCaskill. “The Profits and the Perils of Partnership in the ‘Thrilling’ Saga of William and Ellen Craft.” MELUS: Multi-Ethnic Literature of the United States 38, no. 1 (March 1, 2013): 76–97. Excerpt: In October 1937, the historian Carter Godwin Woodson (1875–1950) launched the inaugural issue of the Negro History Bulletin. A teacher of social science and language in the secondary schools of the District … Continue reading ARTICLE: McCaskill on William and Ellen Craft’s ‘Partnership’
In Depth Africa reports the death of Nigerian novelist Chinua Achebe:
“Foremost novelist, Prof Chinua Achebe, is dead. He was 82.
Reporters learnt he died last night in a hospital in Boston, Massachusetts, United States.
A source close to the family said the professor had been ill for a while and was hospitalised in an undisclosed hospital in Boston.
The source declined to provide further details, saying the family will issue a statement on the development later today.
Contacted, spokesperson for Brown University, where Mr. Achebe worked until he took ill, Darlene Trewcrist, is yet to respond to our enquiries on the professor’s condition.
Until his death, Prof Achebe was the David and Marianna Fisher University Professor and Professor of Africana Studies at Brown.
Below is how the university profiled him on its website.
“Nigerian writer Chinua Achebe is known the world over for having played a seminal role in the founding and development of African literature. He continues to be considered among the most significant world writers. He is most well known for the groundbreaking 1958 novel Things Fall Apart, a novel still considered to be required reading the world over. It has sold over twelve million copies and has been translated into more than fifty languages.
“Achebe’s global significance lies not only in his talent and recognition as a writer, but also as a critical thinker and essayist who has written extensively on questions of the role of culture in Africa and the social and political significance of aesthetics and analysis of the postcolonial state in Africa. He is renowned, for example, for “An Image of Africa,” his trenchant and famous critique of Joseph Conrad’s Heart of Darkness. Today, this critique is recognized as one of the most generative interventions on Conrad; and one that opened the social study of literary texts, particularly the impact of power relations on 20th century literary imagination…”
The Guardian reports:
“Chinua Achebe, the Nigerian novelist seen by millions as the father of African literature, has died at the age of 82.
Christina Sharpe, Monstrous Intimacies: Making Post-Slavery Subjects. Duke University Press Books, 2010. Description from Duke University Press: “Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. … Continue reading BOOK: Sharpe on the Monstrous Intimacies of Slavery